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Why would a soulless multi billion-dollar company change its ways and stop disregarding quality wherever it can, when people eat its absolute shit content like its candy? Your average NetShit subscriber Joe can't tell between proper typesetting and his own fucking asshole. DogFlix is gonna keep paying translators 1 dollar per episode to open up notepad and make a subtitle.srt while it buys licences for more and more shows with its endless supply of money.
The netflix subs aren't completely unwatchable, but they seriously couldn't even translate the signs on a different line, like at the top of the screen or something? It's absolutely barebones, minimal effort. I don't really mind too much that the wide shots with a full board of text aren't translated for too short a time to read any of it anyway (like the absolute madlads did for Spider's backwards walls of text, putting more effort into subs than the animation they're attached to), but if there's anything on screen while someone is talking, you only get one or the other. That kinda blows.
Netflix leaves a lot of signs untranslated while Nova typesets to the point where a lot of them are useless. Still, better to stick with Nova (delaycast is cancer anyways).
@louloululu cos netflix is garbage and so is everyone else who uses it
they all circlejerk each other trying to make themselves feel good about "directly supporting" the creators legally regardless of the quality of the shit netflix cums out cos netfucks permanently got a vibrator up their ass called "your snowflake money"
So much false information, dumb opinions disguised as facts and stupidity here.
All Netflix does is pay a lot of money to stream it exclusively. Unless it's a Netflix Original or a ONA (which this is not because TV Tokyo got it first), they have nothing to do with the production. The only work Netflix did on this was the translation and streaming.
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